Sunday, October 28, 2012

Away In A Manger

No Christmas song is more loved than this tender children's carol. With its simply worded expression of love for the Lord Jesus and trust in His faithful care, the hymn appeals to young and old alike. It is usually one of the first Christmas songs learned in early childhood; yet its pleasing melody and gentle message preserve it in our affections all through life. For some time "Away in the Manger" was titled "Luther's Cradle Hymn." It was thought to have been written by Martin Luther for his own children and then passed on by German mothers. Modern research discounts this claim, however. Stanzas one and two first appeared in the Little Children's Book, published in Philadelphia in 1885. The third verse was written by a Methodist minister, John T. McFarland, in the early 1900's when an additional stanza for this carol was desired for use at a church children's day program.

How important it is that we take time to help our children see beyond the glitter of the Christmas season and teach them the true meaning of Christ's birth. The most thrilling story ever known to man began in Bethlehem at Christmas.
Away in a manger, no crib for a bed,   
the little Lord Jesus laid down His sweet head;  
the stars in the sky looked down where He lay,   
the little Lord Jesus, asleep on the hay. 
The cattle are lowing, the Baby awakes, 
but little Lord Jesus, no crying He makes; 
I love Thee, Lord Jesus! look down from the sky, 
and stay by my cradle till morning is nigh. 


Be near me, Lord Jesus, I ask Thee to stay 
close by me forever, and love me, I pray; 
bless all the dear children in Thy tender care, 
and fit us for heaven, to live with Thee there.


PIANO
Track 1: plays through the song up to pg. 7 for the acapella moment

BASS
Track 2: starts top of pg. 5 for the tenor and basses, then jumps to the bottom of pg 7 to the 9th stanza where the bases come in again


TENOR
Track 3: starts top of pg. 5 for the tenors and basses, then jumps to pg 7 where the tenors come in again



-ALTO'S - there is only one brief split between 1st and 2nd altos.  This is pg. 7 stanza's 4-8. -

2nd ALTO
Track 4: starts with pg. 3 where sopranos and altos come in and then jumps to the top of pg. 7 where they come in again.


1st ALTO
Track 5: starts with pg. 3 where sopranos and altos come in and then jumps to the top of pg. 7 where they come in again.


SOPRANO
Track 6: starts with pg. 3 where sopranos and altos come in and then jumps to the top of pg. 7 where they come in again.








Sorry I won't put the actual sheet music on the blog for this song due to copyright.  But you will find it in your email.  If you haven't yet received it, let me know and I'll get that to you quickly.

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